from the margins

exploring faith’s foundations from the edge

Luke, John, All Kirsten Trued Luke, John, All Kirsten Trued

Breakfast by the Sea: Resurrection Stories Served Hot

In Luke 24 and John 21, the resurrection story unfolds not only in miracles but also over shared meals. From bread broken in Emmaus to fish grilled by the sea, these scenes ground extraordinary events in familiar, sensory moments. Food becomes more than nourishment—it’s a way the story is told and remembered.

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What Is Truth, Anyway?

Pilate’s question, “What is truth?” (John 18:38, NLT), echoes through the trial scenes in Luke 23 and John 18–19, shaping the tension between power and principle. Despite declaring Jesus innocent, Pilate yields to political pressure, illustrating how truth can be known yet ignored. This narrative invites reflection on the ways truth becomes secondary in moments of crisis and compromise.

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Branching Out: Thoughts from John 15

John 15 paints a vivid picture of life as a network of connections, using a vineyard as its metaphor. The image of branches relying entirely on the vine challenges ideas of independence and self-sufficiency. It’s a passage that invites reflection on what it means to be rooted, nourished, and fruitful in ways that reach beyond oneself.

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A Fig Tree with an Attitude Problem

Mark 11 includes a puzzling moment where Jesus curses a fig tree for having no fruit, even though it isn’t fig season. The brief scene feels out of place among stories of healing and compassion, yet its placement in the chapter hints at deeper meaning. This moment invites readers to sit with its mystery and consider why some passages defy simple explanations.

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When Being Late Changes Everything

John 11 opens with an unexpected delay—Jesus stays put for two days after hearing Lazarus is gravely ill. By the time He arrives, Lazarus has been dead for four days, leaving his sisters in grief and confusion. This tension around timing gives the story depth, inviting readers to explore how meaning often unfolds slowly and unpredictably.

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Whose Voice Is That? A Reflection on John 9–10

In John 9–10, the imagery of sheep recognizing their shepherd’s voice highlights how deeply humans long to be known and to belong. The healed blind man finds himself without a community, yet gains recognition in a new way. These chapters raise questions about whose voices we follow, and how recognition shapes where we find belonging.

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Turning on the Lights: Thoughts on John 7–8

In John 8, Jesus makes the bold statement: “I am the light of the world.” The metaphor of light and darkness is both timeless and universal, showing up not only in scripture but also in everyday language. This post reflects on how that imagery still speaks to the human experience of searching for clarity in times of uncertainty.

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Bread, Belief, and the Big Exit

In John 6, many followers walk away after hearing teachings that felt too difficult to accept. The twelve disciples are left with a choice: leave in confusion or stay with questions. Their decision to remain highlights the tension between doubt and loyalty—and what it means to keep living with unanswered questions.

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Do You Really Want to Get Well?

In John 5, Jesus asks a man who had been sick for thirty-eight years, “Would you like to get well?” At first glance, the question seems unnecessary, but the man’s response points more to barriers than desire. This story opens up bigger questions about what it really means to want change—and whether being ready for it is harder than we think.

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Tables Turned: When Commerce Meets the Sacred

In John 2:13–22, Jesus overturns tables in the Temple, scattering coins and driving out merchants. The scene raises timeless questions about where practicality ends and corruption begins. How do we balance sacred purpose with the realities of commerce and community life?

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When the Gospels Don’t Agree on an Opening Scene

Luke 1 and John 1 both tell the story of Jesus, but their openings couldn’t be more different. Luke starts like a historian, grounding his account in eyewitness details and everyday scenes, while John begins before time itself, speaking in cosmic poetry. Reading them side by side feels like hearing two musicians play very different introductions to the same song.

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